sdrangel/plugins/channeltx/udpsink/readme.md

UDP sink plugin

Introduction

By "sink" one should undetstand a sink of samples for the outside of SDRangel application. An external application establishes an UDP connection to the plugin at the given address and port and samples are directed to it. In fact it can also come frome SDRangel itself using the UDP source plugin

The UDP block size or UDP payload size is optimized for 512 bytes but other sizes are acceptable.

This plugin is available for Linux and Mac O/S only.

Interface

1: Frequency shift from center frequency of reception

Use the wheels to adjust the frequency shift in Hz from the center frequency of reception. Left click on a digit sets the cursor position at this digit. Right click on a digit sets all digits on the right to zero. This effectively floors value at the digit position. Wheels are moved with the mousewheel while pointing at the wheel or by selecting the wheel with the left mouse click and using the keyboard arroews. Pressing shift simultanoeusly moves digit by 5 and pressing control moves it by 2.

2: Input channel power

Total power in dB relative to a +/- 1.0 amplitude signal received fron UDP.

3: Output channel power

Total power in dB relative to a +/- 1.0 amplitude signal sent in the channel.

4: Channel mute

Use this button to switch off the RF on the channel. The background of the button lits in green when a signal can be sent.

5: Type of samples

Combo box to specify the type of samples that are received and sent in the channel.

• S16LE I/Q: Raw I/Q samples on signed 16 bits integers with Little Endian layout. Use it with software that sends I/Q data as output like GNUradio with the UDP source block. The output is interleaved I and Q samples. It can also match the UDP source plugin with the same S16LE I/Q format and can be used for linear transposition.
• S16LE NFM: receives 16 bits signed integers on 2 channels (stereo) with Little Endian layout. However it will send a mono signal with narrow bandwidth FM modulation. There is no DC block so it can be used with modulating signals where the DC component is important like digital signals.
• S16LE NFM Mono: This is the same as above but with a mono (1 channel) input.
• S16LE USB: Same as S16LE I/Q but retains only the upper half band.
• S16LE LSB: Same as S16LE I/Q but retains only the lower half band.
• S16LE LSB Mono: Takes a mono (1 channel) AF signal and produces a LSB modulated signal.
• S16LE USB Mono: Takes a mono (1 channel) AF signal and produces a USB modulated signal.
• S16LE AM Mono: Takes a mono (1 channel) AF signal and produces a AM modulated signal.

6: Input sample rate

Sample rate in samples per second of the signal that is recveived on UDP. The actual byte rate depends on the type of sample which corresponds to a number of bytes per sample.

7: Local IP address

IP address of the local interface address that listens to UDP samples

8: Local data port

UDP port number that listens to samples

9: Output signal bandwidth

The signal is bandpass filtered to this bandwidth (zero frequency centered) before being sent out in the channel. In SSB modes only half of the filter is used (LSB: lower, USB: upper). Thus to send a signal with 3000 Hz bandwidth a bandwidth of 6000 Hz must be selected. In addition in SSB modes a 300 Hz highpass filter is applied.

10: FM deviation

This is the maximum FM deviation in Hz for a +/- 1.0 amplitude modulating signal. Therefore it is active only for NFM types of sample formats.

11: AM percentage modulation

this is the AM precentage modulation when a +/- 1.0 amplitude modulating signal is applied. herefore it is active only for S16LE AM Mono sample format.

12: Apply (validation) button

The changes in the following items only become effective when this button is pressed:

• Samples format (5)
• Output sample rate (6)
• Address (7)
• Data port (8)
• RF bandwidth (9)
• FM deviation (10)
• AM percentage (11)

When any item of these items is changed the button is lit in green until it is pressed.

13: Squelch

The slider sets the squelch power threshold based on channel input power (2). At the right of the slider the value in dB is displayed.

The button sets the delay after which a signal constantly above the squelch threshold effectively opens the squelch. The same delay is used for squelch release. The delay in milliseconds is displayed at the right of the button.

14: signal amplitude percentage of maximum

The gain (15) should be adjusted so that the peak amplitude (small red vertical bar) never exceeds 100%. Above 100% the signal is clipper which results in distorsion.

15: Gain

This gain is applied to the samples just before they are filtered and sent int the channel. The gain value appears at the right of the slider.

16: Input buffer gauge

This gauge shows the percentage of deviation from a R/W pointer distance of half the buffer size. Ideally this should stay in the middle and no bar should appear. The percentage value appears at the right of the gauge and can vary from -50 to +50 (0 is the middle).

There is an automatic correction to try to maintain the half buffer distance between read and write pointers. This adjust the sample rate and therefore some wiggling around the nominal sample rate can occur. This should be hardly noticeable for most modulations but can be problematic with very narrowband modulations like WSPR.

The buffer consists in 512 bytes frames so that a normalized UDP block can be placed in one frame. Half the number of frames is calculated as the sample rate divided by 375. This results in a fixed average delay 0f 341 ms for sample rates of 48 kS/s and above.

17: Reset input buffer R/W pointers

Resets the read and write pointers at their ideal position that is read at start and write at the middle of the buffer. This may cause occasional mess-up with the modulating signal until the read pointer reaches the middle of the buffer.

16: Spectrum display

This is the spectrum display of the channel signal before filtering. Please refer to the Spectrum display description for details.

This spectrum is centered on the center frequency of the channel (center frequency of reception + channel shift) and is that of a complex signal i.e. there are positive and negative frequencies. The width of the spectrum is proportional of the sample rate. That is for a sample rate of S samples per seconds the spectrum spans from -S/2 to +S/2 Hz.